{"id":117098,"date":"2026-09-02T16:19:59","date_gmt":"2026-09-02T14:19:59","guid":{"rendered":"https:\/\/www.kristalia.it\/kvadrat-raf-simons-new-premium-fabrics-in-collection\/"},"modified":"2026-09-02T16:49:36","modified_gmt":"2026-09-02T14:49:36","slug":"kvadrat-raf-simons-nouveaux-tissus-premium-dans-la-collection","status":"publish","type":"page","link":"https:\/\/www.kristalia.it\/fr\/kvadrat-raf-simons-nouveaux-tissus-premium-dans-la-collection\/","title":{"rendered":"Kvadrat\/Raf Simons : nouveaux tissus premium dans la collection"},"content":{"rendered":"
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Nous enrichissons notre collection avec trois nouveaux tissus d\u2019ameublement sign\u00e9s Kvadrat\/Raf Simons : Atom, Phlox et Vidar 4. Une collaboration sp\u00e9ciale, dont nous sommes fiers de pouvoir int\u00e9grer les tissus \u00e0 nos produits. Trois rev\u00eatements s\u00e9lectionn\u00e9s pour une gamme limit\u00e9e d\u2019ic\u00f4nes \u2014 disponibles sur demande pour les autres produits rembourr\u00e9s \u00e9galement.<\/p>\n\n<\/div>\n\n\n \n

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RAF SIMONS : DE LA BELGIQUE AUX PLUS GRANDES MAISONS DE MODE<\/strong><\/p>\n\n<\/div>\n\n\n

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N\u00e9 en Belgique en 1968, Raf Simons \u00e9tudie le design industriel \u00e0 Genk. Il s\u2019installe ensuite \u00e0 Anvers, o\u00f9 il est encourag\u00e9 \u00e0 lancer sa propre marque plut\u00f4t qu\u2019\u00e0 poursuivre une carri\u00e8re acad\u00e9mique. En 1995, il lance sa ligne de pr\u00eat-\u00e0-porter masculin, m\u00ealant tailoring classique et culture jeune, avec un impact qui marque toute une d\u00e9cennie. Par la suite, son parcours le m\u00e8ne dans certaines des maisons de mode les plus influentes : il devient directeur artistique de Jil Sander en 2005, directeur artistique de Dior Femme de 2012 \u00e0 2015, puis Chief Creative Officer de Calvin Klein de 2016 \u00e0 2018 \u2014 p\u00e9riode durant laquelle il est nomm\u00e9 \u00e0 deux reprises Designer of the Year.<\/p>\n\n\t<\/div>\n\n\n\n

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Depuis 2020, il est co-directeur artistique de Prada, aux c\u00f4t\u00e9s de Miuccia Prada. Collectionneur d\u2019art contemporain et de design moderne, Raf Simons transpose cette sensibilit\u00e9 dans tous les domaines qu\u2019il explore. Tout au long de sa carri\u00e8re, il a d\u00e9velopp\u00e9 de nombreuses collaborations interdisciplinaires, naviguant entre mode, art et industrie avec le m\u00eame regard curieux.<\/p>\n\n\t<\/div>\n\n<\/div>\n\n<\/div>\n\n\n \n

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ATOM<\/strong><\/p>\n\n\n\n

Un boucl\u00e9 exp\u00e9rimental sans motif r\u00e9p\u00e9titif visible, inspir\u00e9 de fragments de paysages issus de peintures pointillistes et expressionnistes. De petites touches de couleur sont dispers\u00e9es sur la surface de mani\u00e8re presque al\u00e9atoire. Des fils audacieux et contrast\u00e9s \u2014 bleu canard et bordeaux sur noir, jaune vif et gris sur vert for\u00eat \u2014 refl\u00e8tent l\u2019approche de Simons \u00e0 la couleur, tandis que les combinaisons plus sobres pr\u00e9sentent un caract\u00e8re plus classique.<\/p>\n\n\t<\/div>\n\n\n\n

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PHLOX<\/strong><\/p>\n\n\n\n

La vision de Simons du velours c\u00f4tel\u00e9. Un tissu \u00e0 larges c\u00f4tes au caract\u00e8re graphique et tridimensionnel. La palette s\u2019\u00e9tend de tons riches et floraux \u2014 rouges, verts et bleus intenses \u00e9voquant les ann\u00e9es 1970 \u2014 \u00e0 une s\u00e9lection de neutres, de bleus profonds et de verts plus doux. Une subtile irisation apporte de la profondeur \u00e0 ce tissu au toucher doux.<\/p>\n\n\t<\/div>\n\n\n\n

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VIDAR 4<\/strong><\/p>\n\n\n\n

Initialement con\u00e7u par Fanny Aronsen, Vidar 4 est recolor\u00e9 par Raf Simons dans des teintes allant du vert mousse, de l\u2019aubergine fonc\u00e9e, du rouge rubis et du bleu nuit aux tons brique, terre et neutres. La finition satin\u00e9e de la surface contraste avec les tonalit\u00e9s plus profondes dans l\u2019ombre. Dense et r\u00e9gulier, sans les irr\u00e9gularit\u00e9s des autres boucl\u00e9s de la collection, son toucher \u00e9voque les m\u00fbres, la peau d\u2019orange ou la maille famili\u00e8re d\u2019un pull que l\u2019on conna\u00eet bien.<\/p>\n\n\n\n

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